What does 1925 Paris smell like? According to Guerlain’s legendary Shalimar, it’s citrus, vanilla and decades of glamour. In our latest History for F***’s Sake episode, host Sarah Dowd and special guest Valerie Isaiah Sadoh (playwright and founder of House of Mahogany) explore how scent is more than a luxury: it’s a time machine, a bridge to global stories, and a powerful tool for historical empathy.

Fragrance as Freedom: The Flapper’s Revolution

The episode opens in the art deco heart of Paris, where Shalimar was launched to entice a new generation of liberated women, the flappers. Sarah highlights how this scent, inspired by Mughal India’s gardens, broke away from the powdery, reserved perfumes of previous eras. “It’s about enticing the modern woman,” she explains, noting Shalimar’s iconic, near-mythical presence in books, films, and culture for the last century.

Storytelling through Scent: Valerie’s Journey

Valerie’s love for storytelling began as a child, eavesdropping on family stories and imagining how to capture the tennis-match energy of real life. When lockdown hit, she and her mother turned their efforts to crafting memory-infused candles, launching House of Mahogany. From mixing citrus and ylang ylang in their kitchen to capturing the earthy essence of a rainy English forest, Valerie found that scent could transport her (and her customers) back to moments long forgotten.

“Scent brings you to a specific memory with 86% accuracy,” Valerie shares. Whether it’s the warmth of a grandmother’s kitchen or the adventure of escaping through a woodland at boarding school, her range of candles and diffusers are designed to evoke vivid, personal stories. And yes sometimes writing a character starts with picking their perfect perfume.

Why Scent Matters: From Danger to Connection

Sarah and Valerie reflect how smell is an often-overlooked aspect of perception. From waking up to the warning scent of wildfire smoke, to experiencing historical immersion at the Champagne Museum in France, scent triggers immediate, emotional responses. “Smell can tell you a whole building’s story faster than any plaque or text,” Valerie notes, recalling market customers who suddenly land on ‘the scent’ that transports them home sometimes to places they’ve never actually been.

Making History Multisensory: Windrush 80 and Immersive Art

Moving from candles to Caribbean journeys, Valerie and Sarah discuss their upcoming multisensory Windrush 80 project. To be educated is to be enraged, Valerie declares, describing her anger at how little is truly known about the Windrush generation’s role in rebuilding Britain. Their vision? To let visitors walk into an immersive journey and literally smell the ocean, the hope, and the hardships of migration connecting micro-stories of individuals with the macro history of empire and postwar reconstruction.

Museums, Memory, and the Future of Storytelling

The episode closes with an inspiring call for museums, theatres, and heritage groups to seek out untold stories—and tell them through every available sense. Valerie imagines a future where history isn’t just something you read or hear, but something you can touch, taste, and, above all, smell. From the revolutionary flapper to a candlelit Caribbean memory, scents of history remind us that to truly know the past, sometimes you need to breathe it in. Want to hear more fragrant stories?

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